Every Day We Are Dancers
by Mitch Roberson
It begins with the lewd macarena
each of us performs in the shower,
then the modified twist we are hip to
with that ever-absorbent partner, the towel,
and on to the funky chicken of stepping into underwear,
the shimmy of stretching into hose.
There is no music, none that anyone
can hear, yet no one can escape the boogie.
Outside beneath the disco ball of the Sun
no one is a wallflower, not even the two lugs
in the crosswalk lugging a huge mirror,
one at either end pressing his cheek
into the cheek of his own reflection, arm
extended, hand clasping his own hand in a tango
more about control than passion, one couple
leading himself forward, the other slide-stepping
backwards across the intersection made double
by the infinite burden they shoulder together.
At the entrances of buildings even those afflicted
with two left feet find grace with a stranger
in a revolving door, where, regardless of gender,
we share a pause and glance to communicate
who will lead, who will follow,
close to each other but never quite touching.